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- <text id=94TT0951>
- <title>
- Jul. 18, 1994: Books:Love Beats Bad Poetry
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Jul. 18, 1994 Attention Deficit Disorder
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/BOOKS, Page 58
- Love Beats Bad Poetry
- </hdr>
- <body>
- <p> With a cutting cultural comedy, Kingsley Amis returns to form
- </p>
- <p>By Paul Gray
- </p>
- <p> Richard Vaisey, 46, lectures on Russian literature at the London
- Institute of Slavonic Studies and lives well beyond his professional
- means, thanks to the money inherited by his wife Cordelia. He
- has lived with her for 10 years, and in that time he has almost
- stopped noticing her theatrical gestures and her peculiar style
- of speech: "Never having cared to ask her about it, Richard
- had had fantasies of an Andorran nanny, a childhood in a posh
- Albanian household that had left no other mark, before concluding
- that Cordelia just spoke Cordelian, a pronunciational idiolect."
- When friends mock the way she says her name ("Nggornndeenlia"),
- Richard tries not to be amused.
- </p>
- <p> Given the tensions that gibber and flap through most marriages,
- Cordelia's affectations seem rather venial, particularly since
- her wealth makes Richard's existence so cushy. But she and her
- husband live in the world of Kingsley Amis, where the rules
- of decorum are a lot stricter and funnier than in ordinary life.
- Cordelia just won't do, and The Russian Girl (Viking; 296 pages;
- $22.95) hilariously shows why.
- </p>
- <p> The person who spurs Richard out of his marital torpor is Anna
- Danilova, a young Russian poet who arrives in London in 1990
- on an apparent mission of mercy. Her brother, having served
- a sentence back in Moscow for currency violations, is still
- being held in jail. Anna's plan is to circulate a petition signed
- by prominent Western intellectuals that declares her to be a
- world-class writer whose relative is being persecuted by Soviet
- officials; they might then be shamed into releasing the prisoner.
- Since Richard is an established authority on the literature
- of her homeland, Anna asks him to help lead her campaign.
- </p>
- <p> The request puts Richard in an uncomfortable spot. The more
- he sees of Anna, the more he likes her; the more he sees of
- her poetry, the more he detests it. He attends Anna's public
- reading at the institute, hoping her stuff will sound better
- than it looks on the page. As he listens, he finds himself in
- tears: "Different from other work of hers--yes! Bad in a new
- way! Worse than before! Hopeless! Useless! What on earth was
- to be done?"
- </p>
- <p> Richard's other ethical dilemma concerns Cordelia, who has decided
- that he and what she calls his Russian girl-friend are having
- an affair well before they in fact begin one.
- </p>
- <p> A suspicious and possibly vengeful Cordelia is an even more
- unsettling companion than the normally daft one. Richard feels
- guilty for wanting to leave his wife and also for worrying about
- what his future would be like without her money: "...all cafes,
- canteens, pubs, pavements, bus shelters, bus queues, buses."
- </p>
- <p> Amis generates a good deal of suspense over how and whether
- Richard is to behave honorably. But the chief appeal of The
- Russian Girl is its gimlet-eyed presentation of a comedy of
- bad manners.
- </p>
- </body>
- </article>
- </text>
-
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